Genres, Movements & Theory
60 terms · page 2 of 3
Landscape Photography
Genres, Movements & Theory
Photography of natural or altered land, sea and sky, often concerned with light, weather and a sense of place.
Macro Photography
Genres, Movements & Theory
magnification ratio
Photography at magnifications approaching or exceeding life size, revealing detail invisible to the unaided eye.
m ≥ 1:1
Magnum Photos
Genres, Movements & Theory
A photographers' cooperative founded in 1947 to let its members retain copyright and control over their own work.
Manipulation Standards
Genres, Movements & Theory
The rules defining what processing is permissible in a given field of photography.
New Colour Photography
Genres, Movements & Theory
The movement of the 1970s that established colour as a serious medium for art photography rather than a commercial or amateur one.
New Objectivity
Genres, Movements & Theory
A German movement of the 1920s favouring clear, unsentimental description of the world, often in close-up and typological form.
New Topographics
Genres, Movements & Theory
A 1975 exhibition and the approach it named, photographing the altered landscape — suburbs, industrial parks, car parks — in a deliberately neutral manner.
New Vision
Genres, Movements & Theory
An interwar movement, associated with the Bauhaus, that treated the camera as a device for seeing in ways the eye cannot.
Photo Essay
Genres, Movements & Theory
count
A sequence of photographs arranged to develop an argument or narrative that no single image could carry.
Photo-Secession
Genres, Movements & Theory
A group founded by Alfred Stieglitz in New York in 1902 to promote photography as a fine art.
Photographic Ethics
Genres, Movements & Theory
The body of principles governing how photographers treat subjects, audiences and the truthfulness of their images.
Photographic Series
Genres, Movements & Theory
count
A set of images made to a consistent rule or format, where the repetition itself carries meaning.
Photographic Truth
Genres, Movements & Theory
The contested assumption that a photograph is a reliable record of what was in front of the camera.
Photojournalism
Genres, Movements & Theory
Photography made to report news, bound by professional standards of accuracy and non-interference.
Pictorialism
Genres, Movements & Theory
A movement from the 1880s to the 1910s that sought recognition for photography as art by imitating painting and printmaking.
Portraiture
Genres, Movements & Theory
Photography whose subject is a person, aiming to convey something of their character, role or presence.
Postmodern Appropriation
Genres, Movements & Theory
An artistic strategy of rephotographing or reusing existing images to question authorship, originality and the circulation of pictures.
Product Photography
Genres, Movements & Theory
Photography of goods for sale, prioritising accurate description of form, colour and material.
Provoke
Genres, Movements & Theory
A short-lived Japanese photography magazine of 1968-70 whose grainy, blurred, high-contrast style challenged documentary convention.
Punctum
Genres, Movements & Theory
Roland Barthes's term for the detail in a photograph that pierces the individual viewer and gives it personal force.
Self-portrait
Genres, Movements & Theory
A photograph in which the photographer is also the subject.
Snapshot Aesthetic
Genres, Movements & Theory
A deliberate adoption of the informal look of amateur photography — casual framing, direct flash, apparent artlessness.
Sports Photography
Genres, Movements & Theory
Photography of athletic competition, capturing peak action, effort and outcome.
Staged Photography
Genres, Movements & Theory
Photography in which the scene is deliberately constructed and performed for the camera.