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Genres, Movements & Theory

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Genres, Movements & Theory

Landscape Photography

Photography of natural or altered land, sea and sky, often concerned with light, weather and a sense of place.

Genres, Movements & Theory

Macro Photography

Photography at magnifications approaching or exceeding life size, revealing detail invisible to the unaided eye.

m ≥ 1:1 magnification ratio
Genres, Movements & Theory

Magnum Photos

A photographers' cooperative founded in 1947 to let its members retain copyright and control over their own work.

Genres, Movements & Theory

Manipulation Standards

The rules defining what processing is permissible in a given field of photography.

Genres, Movements & Theory

New Colour Photography

The movement of the 1970s that established colour as a serious medium for art photography rather than a commercial or amateur one.

Genres, Movements & Theory

New Objectivity

A German movement of the 1920s favouring clear, unsentimental description of the world, often in close-up and typological form.

Genres, Movements & Theory

New Topographics

A 1975 exhibition and the approach it named, photographing the altered landscape — suburbs, industrial parks, car parks — in a deliberately…

Genres, Movements & Theory

New Vision

An interwar movement, associated with the Bauhaus, that treated the camera as a device for seeing in ways the eye cannot.

Genres, Movements & Theory

Photo Essay

A sequence of photographs arranged to develop an argument or narrative that no single image could carry.

count
Genres, Movements & Theory

Photo-Secession

A group founded by Alfred Stieglitz in New York in 1902 to promote photography as a fine art.

Genres, Movements & Theory

Photographic Ethics

The body of principles governing how photographers treat subjects, audiences and the truthfulness of their images.

Genres, Movements & Theory

Photographic Series

A set of images made to a consistent rule or format, where the repetition itself carries meaning.

count
Genres, Movements & Theory

Photographic Truth

The contested assumption that a photograph is a reliable record of what was in front of the camera.

Genres, Movements & Theory

Photojournalism

Photography made to report news, bound by professional standards of accuracy and non-interference.

Genres, Movements & Theory

Pictorialism

A movement from the 1880s to the 1910s that sought recognition for photography as art by imitating painting and printmaking.

Genres, Movements & Theory

Portraiture

Photography whose subject is a person, aiming to convey something of their character, role or presence.

Genres, Movements & Theory

Postmodern Appropriation

An artistic strategy of rephotographing or reusing existing images to question authorship, originality and the circulation of pictures.

Genres, Movements & Theory

Product Photography

Photography of goods for sale, prioritising accurate description of form, colour and material.

Genres, Movements & Theory

Provoke

A short-lived Japanese photography magazine of 1968-70 whose grainy, blurred, high-contrast style challenged documentary convention.

Genres, Movements & Theory

Punctum

Roland Barthes's term for the detail in a photograph that pierces the individual viewer and gives it personal force.

Genres, Movements & Theory

Self-portrait

A photograph in which the photographer is also the subject.

Genres, Movements & Theory

Snapshot Aesthetic

A deliberate adoption of the informal look of amateur photography — casual framing, direct flash, apparent artlessness.

Genres, Movements & Theory

Sports Photography

Photography of athletic competition, capturing peak action, effort and outcome.

Genres, Movements & Theory

Staged Photography

Photography in which the scene is deliberately constructed and performed for the camera.