Terms starting with T
32 terms · page 1 of 2
T-grain Emulsion
Film, Darkroom & Historic Processes
An emulsion using flat, tabular silver crystals that present a larger surface area to light for a given volume.
T-stop
Exposure & Metering
T-stops
A measured aperture value that accounts for the light a lens actually transmits, rather than the geometric ratio an f-number implies.
T = N / √(transmittance)
Telecentric Design
Optics, Lenses & Filters
A lens design in which light rays strike the sensor nearly perpendicular across the whole frame rather than at increasing angles toward the corners.
Teleconverter
Optics, Lenses & Filters
× magnification
A supplementary optic mounted between lens and body that multiplies focal length at the cost of light and, usually, sharpness.
N_new = N × magnification
Telephoto Lens
Optics, Lenses & Filters
mm
A lens with a focal length longer than the format's diagonal, magnifying distant subjects and narrowing the angle of view.
Test Print
Printing, Display & Output
A small print, often of selected crops, made to evaluate colour, tone and sharpening before committing to full size.
Test Strip
Film, Darkroom & Historic Processes
seconds
A piece of paper exposed in bands at increasing times, used to determine the correct exposure for a print.
Tethered Shooting
Files, Metadata & Workflow
Connecting a camera directly to a computer so images transfer as they are captured.
Texture
Composition & Visual Design
The tactile surface quality of a subject as revealed by light, giving a sense of how something would feel.
Texture Slider
Post-Processing & Retouching
%
A control that increases or decreases medium-scale detail while deliberately leaving very fine detail and broad tones alone.
The Decisive Moment
Genres, Movements & Theory
The idea that in any unfolding event there is a single instant at which form and content align most expressively.
The Family of Man
Genres, Movements & Theory
count
A 1955 exhibition at New York's Museum of Modern Art presenting 503 photographs from 68 countries as evidence of shared human experience.
The Gaze
Genres, Movements & Theory
A critical concept describing how looking is structured by power, and how images position their subjects and viewers.
Third Stop
Exposure & Metering
stops (EV)
A one-third-stop increment, the fine adjustment step most digital cameras use for aperture, shutter speed, ISO and exposure compensation.
⅓ stop = ×2^(1/3) ≈ ×1.26
Three-point Lighting
Lighting & Flash
The standard setup of key, fill and rim lights that models a subject and separates it from the background.
TIFF
Files, Metadata & Workflow
MB
A flexible, usually lossless raster format widely used for master files, scanning and print submission.
Tilt-shift Lens
Optics, Lenses & Filters
degrees, mm
A lens that can be tilted or shifted relative to the sensor, controlling the plane of focus and correcting converging verticals.
Scheimpflug: subject, lens and film planes meet on a line
Tilt-shift Miniature Effect
Motion, Video & Creative Techniques
An extreme selective focus that makes a full-size scene appear to be a scale model.
Time Mode
Exposure & Metering
seconds
A shutter setting, marked T, that opens the shutter on one press of the release and closes it on a second.
Time-lapse
Motion, Video & Creative Techniques
seconds interval
A sequence of frames captured at long intervals and played at normal speed, compressing hours into seconds.
Clip length = frames / playback fps
Timecode
Motion, Video & Creative Techniques
hh:mm:ss:ff
A frame-accurate time reference recorded with footage, used to synchronise multiple cameras and audio recorders.
HH:MM:SS:FF
Tint
Colour & Colour Management
tint units
The white balance axis running from green to magenta, correcting casts that colour temperature alone cannot address.
Tintype
Film, Darkroom & Historic Processes
A wet collodion positive made on a thin sheet of blackened iron, producing a cheap, durable, unique image.
TLCI
Colour & Colour Management
Qa score
The Television Lighting Consistency Index, a scoring system that evaluates a light source using a model of a camera's response rather than the eye's.