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Composition & Visual Design

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Composition & Visual Design

High Angle

A viewpoint above the subject, looking downward.

degrees
Composition & Visual Design

Horizon Line

The line where sky meets land or sea, which in a photograph always sits at the camera's own eye level.

Composition & Visual Design

Implied Motion

The suggestion of movement within a still image, created by blur, gesture, position or direction.

Composition & Visual Design

Isolation

Separating a subject from its surroundings so it reads alone, using depth of field, framing, tone or timing.

Composition & Visual Design

Juxtaposition

Placing two contrasting or unexpectedly related elements together in a frame so each comments on the other.

Composition & Visual Design

Law of Closure

The gestalt principle that the mind completes incomplete shapes, perceiving a whole where only parts are shown.

Composition & Visual Design

Law of Continuity

The gestalt principle that the eye follows a line or curve and continues along it even where it is interrupted.

Composition & Visual Design

Law of Proximity

The gestalt principle that elements placed close together are perceived as belonging to one group.

Composition & Visual Design

Law of Similarity

The gestalt principle that elements sharing shape, colour, size or texture are perceived as related.

Composition & Visual Design

Layering

Building a composition from distinct planes at different distances, so the eye moves through the frame from near to far.

Composition & Visual Design

Lead Room

The space left in front of a subject in the direction they face or move.

Composition & Visual Design

Leading Lines

Lines within a scene that guide the viewer's eye from one part of the frame toward the subject.

Composition & Visual Design

Linear Perspective

The geometric effect by which parallel lines receding from the viewer appear to converge toward a point.

Composition & Visual Design

Low Angle

A viewpoint below the subject, looking upward.

degrees
Composition & Visual Design

Minimalism

A compositional approach built on very few elements, large areas of empty space and simple graphic forms.

Composition & Visual Design

Negative Space

The empty or unoccupied area surrounding the subject, which gives it room and defines its shape.

Composition & Visual Design

Pattern

A repeating arrangement of shapes, lines, colours or objects across the frame.

Composition & Visual Design

Perspective Compression

The apparent flattening of distance between near and far elements when photographing from far away with a long lens.

Composition & Visual Design

Perspective Distortion

The exaggeration of relative size between near and far objects when photographing from very close with a wide lens.

Composition & Visual Design

Point of View

The position from which a photograph is taken, encompassing height, angle, distance and orientation.

Composition & Visual Design

Positive Space

The area of the frame occupied by the subject itself.

Composition & Visual Design

Rule of Odds

The observation that an odd number of subjects in a frame usually reads as more settled than an even number.

count
Composition & Visual Design

Rule of Space

The guideline that a subject which is moving or looking in a direction should have space in front of it within the frame.

Composition & Visual Design

Rule of Thirds

A guideline that divides the frame into nine equal parts and suggests placing key elements along those lines or at their intersections.

Frame ÷ 3 horizontally and vertically