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Genres, Movements & Theory

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Genres, Movements & Theory

Photo Essay

A sequence of photographs arranged to develop an argument or narrative that no single image could carry.

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Genres, Movements & Theory

Photo-Secession

A group founded by Alfred Stieglitz in New York in 1902 to promote photography as a fine art.

Genres, Movements & Theory

Photographic Ethics

The body of principles governing how photographers treat subjects, audiences and the truthfulness of their images.

Genres, Movements & Theory

Photographic Series

A set of images made to a consistent rule or format, where the repetition itself carries meaning.

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Genres, Movements & Theory

Photographic Truth

The contested assumption that a photograph is a reliable record of what was in front of the camera.

Genres, Movements & Theory

Photojournalism

Photography made to report news, bound by professional standards of accuracy and non-interference.

Genres, Movements & Theory

Pictorialism

A movement from the 1880s to the 1910s that sought recognition for photography as art by imitating painting and printmaking.

Genres, Movements & Theory

Portraiture

Photography whose subject is a person, aiming to convey something of their character, role or presence.

Genres, Movements & Theory

Postmodern Appropriation

An artistic strategy of rephotographing or reusing existing images to question authorship, originality and the circulation of pictures.

Genres, Movements & Theory

Product Photography

Photography of goods for sale, prioritising accurate description of form, colour and material.

Genres, Movements & Theory

Provoke

A short-lived Japanese photography magazine of 1968-70 whose grainy, blurred, high-contrast style challenged documentary convention.

Genres, Movements & Theory

Punctum

Roland Barthes's term for the detail in a photograph that pierces the individual viewer and gives it personal force.