Film, Darkroom & Historic Processes
60 terms · page 1 of 3
Agitation
Film, Darkroom & Historic Processes
seconds per interval
The periodic movement of the developing tank that replenishes fresh chemistry at the emulsion surface.
Albumen Print
Film, Darkroom & Historic Processes
A printing process using egg white to bind light-sensitive silver salts to paper, giving a glossy surface and warm brown tones.
Autochrome
Film, Darkroom & Historic Processes
The first commercially successful colour process, using a screen of dyed potato starch grains over a black and white emulsion.
Black and White Film
Film, Darkroom & Historic Processes
ISO
Film with a single silver-based emulsion that records only luminance, producing a monochrome negative.
Burning
Film, Darkroom & Historic Processes
seconds
Giving extra exposure to part of a print so that area comes out darker.
C-41 Process
Film, Darkroom & Historic Processes
minutes at °C
The standardised chemical process for developing colour negative film.
3′15″ at 38 °C
Calotype
Film, Darkroom & Historic Processes
An early paper-negative process, patented by Fox Talbot in 1841, allowing multiple prints from one exposure.
Camera Obscura
Film, Darkroom & Historic Processes
A darkened room or box in which a small aperture projects an inverted image of the outside world onto an inner surface.
Characteristic Curve
Film, Darkroom & Historic Processes
density vs log exposure
A graph plotting a film's resulting density against the logarithm of the exposure it received.
D vs log H
Chromogenic Black and White Film
Film, Darkroom & Historic Processes
ISO
A monochrome film that forms its image from dye couplers rather than silver, and is processed in standard colour chemistry.
Colour Negative Film
Film, Darkroom & Historic Processes
ISO
Film that records a colour image with tones and colours inverted, printed or scanned to produce a positive.
Colour Reversal Film
Film, Darkroom & Historic Processes
ISO
Film that produces a positive transparency directly, viewable and projectable without printing.
Contact Print
Film, Darkroom & Historic Processes
A print made with the negative in direct contact with the paper, producing an image the same size as the negative.
Magnification = 1:1
Contact Sheet
Film, Darkroom & Historic Processes
A print made by laying an entire strip or roll of negatives directly on paper, showing every frame at negative size.
Contrast Index
Film, Darkroom & Historic Processes
CI
A measure of the average slope of a film's characteristic curve over the range actually used in practice.
Cross-processing
Film, Darkroom & Historic Processes
Deliberately developing film in chemistry intended for a different process, producing extreme colour and contrast shifts.
Cyanotype
Film, Darkroom & Historic Processes
An iron-based printing process producing images in Prussian blue, developed simply by washing in water.
Daguerreotype
Film, Darkroom & Historic Processes
The first commercially successful photographic process, producing a unique, highly detailed image on a polished silvered copper plate.
Darkroom
Film, Darkroom & Historic Processes
A light-tight room equipped for processing film and making prints.
Densitometer
Film, Darkroom & Historic Processes
density units
An instrument that measures the optical density of a negative, transparency or print.
Density
Film, Darkroom & Historic Processes
density units
A measure of how much light a processed negative or print blocks, expressed logarithmically.
D = log₁₀(1 / transmittance)
Developer
Film, Darkroom & Historic Processes
minutes at °C
The chemical solution that converts exposed silver halide crystals into metallic silver, making the latent image visible.
Dodging
Film, Darkroom & Historic Processes
seconds
Holding back light from part of a print during exposure so that area comes out lighter.
DX Coding
Film, Darkroom & Historic Processes
ISO
The pattern of conductive and insulating squares on a 35 mm cassette that tells the camera the film's speed and length.