Genres, Movements & Theory

4 terms

The idea that in any unfolding event there is a single instant at which form and content align most expressively.

A 1955 exhibition at New York's Museum of Modern Art presenting 503 photographs from 68 countries as evidence of shared human experience.

A critical concept describing how looking is structured by power, and how images position their subjects and viewers.

Photography of places, cultures and journeys, combining landscape, documentary and portrait approaches.